Originated in 16mm film in 1995.

One meter of found footage was printed, reprinted, scratched and perforated... the final piece was edited using positive and negative film without any camera. 

The music by Stephen Morrison also suffered similar manual treatment in the soundtrack editing.

Due to the texture of the film it could only be screened in the old “Steinbeck” editing machines and this Art School ‘relic’ has never passed through a film projector, hence its ad-hoc tele-cine